分类:剧情片剧情地区:其它年份:1948导演:Radványi Géza主演:Artúr SomlayMiklós GáborZsuzsa Bánki状态:DVD
其它电影《欧洲的某个地方》上映于1948年,是由Radványi Géza执导,Artúr Somlay,Miklós Gábor,Zsuzsa Bánki等主演的一部精彩好看的其它 剧情片!本片讲述的是: Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form....自由影院(www.zyinl.com)第一时间为你更新提供《欧洲的某个地方》,支持手机在线观看,如果你喜欢《欧洲的某个地方》请把它分享给的朋友,有您们的支持我们会做的更好。祝你观影愉快!
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常见问题
问:现在哪个平台可以免费在线观看剧情片《欧洲的某个地方》完整无删减版?
电影天堂网网友:《欧洲的某个地方》免vip在线观看地址 http://www.zyinl.com/vodjianjie/59035.html
问:目前有哪些网站手机版可以免费在线观看《欧洲的某个地方》啊?
手机电影网网友:电影天堂网、自由影院、爱奇艺
问:大家对于《欧洲的某个地方》评价怎么样?
Mtime时光网网友评价:我一直认为所谓的影片是绘声绘色的书 比小说更高 基于虚拟与幻想 回头一想却都是现实的虚幻影子
豆瓣电影网友:《欧洲的某个地方》不同于其他作品,没有紧迫感、虚浮的情节及杂乱的画面,却在不断教导我们,不像老师家长苦口婆心语重心长的教诲(为遵重在这里我省略掉啰嗦这词)。我们看电影电视剧亦或综艺动漫逗号,往往是融入进去,在不知不觉中去了解这些似乎不容易被我们所发现、所理解的道理。再说近一点,看视频时设身处地会发现这是现实中更近教导的教导!
丢豆网网友评论:Radványi Géza导演的作品,有欢笑、有泪水、有喜悦、有悲伤...,虚拟世界中的感情是多彩的,并不同于我们现实中不爽就一直玩的感觉,虚拟感情的交错,当看完之后会觉得更加舒畅。
1905电影网网友评论:《欧洲的某个地方》这部影片其实很早就想看了,就是苦于没有VIP,现在好了,在自由影院这里就能够免费在线观看,而且还很高清、完整,基本上大多数的剧情片都是无删减版的,现在每天就是下班躺在床上用手机看。